2026 Meeting Program and Schedule
1 April ➤
2 April ➤
3 April ➤
4 April ➤
1 April ➤
4:00 to 7:00 p.m.
Registration
Advanced Onsite Registration
📌 Centennial Foyer
5:00 to 6:00 p.m.
Town Hall Business Meeting
📌 Centennial F
Open to all registrants.
6:00 to 7:00 p.m.
Cash Bar
📌 Centennial Foyer
Open to all registrants and their registered guests.
2 April ➤
8:00 a.m. to 6:00 p.m.
Registration
📌 Centennial Foyer
Book Exhibits
📌 Centennial A-C
8:00 to 9:00 a.m.
Professionalization
Publishing in an Academic Journal: A Discussion by Journal Editors
📌 TBA
Sponsored by Shakespeare Quarterly
Light refreshments served.
Join the editors of several peer-reviewed journals for coffee and informal conversation about submitting work for publication: what to submit, where to submit, and what to expect after you’ve submitted it. All are welcome, and early-career scholars are particularly encouraged to attend.
8:30 to 10:30 a.m.
Seminar
The Adaptability of Adaptation
📌 Mineral A
LEADER: Rebecca Hixon, St. Bonaventure University
Does adaptation operate differently in different contexts, spaces, genres, geographies, etc.? Does it change shape when paired with other modes of reading, performing, or thinking Shakespeare? This seminar invites participants to think about adaptation capaciously—at both the level of theory and practice. Papers that pair an exploration of adaptation with other methodologies such as critical race theory or performance studies are especially welcome.
📁 View Abstracts (forthcoming)
Seminar
Baz Luhrmann’s William Shakespeare’s Romeo + Juliet at Thirty (Hybrid Session)
📌 Mineral D
LEADERS: Gemma Kate Allred, Université de Neuchâtel, Benjamin Broadribb, London, UK, and Edel Semple, University College Cork
This seminar explores the legacy of Luhrmann’s Romeo + Juliet (1996) across Shakespearean culture and global popular culture. We invite papers considering Romeo +Juliet’s legacy across cultures and media, exploring how Luhrmann’s film has influenced the performance and adaptation of Shakespeare; where, how, and why echoes and aftershocks of Romeo + Juliet can be found in cultural objects from the past three decades; and the evolution of the film’s reception and status over time.
📁 View Abstracts (forthcoming)
Workshop
Book Proposal Lab
📌 Mineral E
LEADERS: Michelle M. Dowd, University of Alabama, Karen Raber, University of Mississippi, and Rebecca Totaro, Florida Gulf Coast University
In this workshop, participants will become familiar with the required components of a scholarly book proposal by reviewing proposal guidelines from key presses that support our field. With these guidelines in mind, they will also develop a draft of their own scholarly book proposal and give and receive feedback on those drafts. By the end of the workshop, members will have produced a working draft of a scholarly book proposal and a list of presses to which they can send it.
Seminar
Child Performance
📌 Granite B
LEADER: Scott A. Trudell, University of Maryland
This seminar invites new directions in child performance studies as they intersect with early modern trans studies, theater history, sexuality studies, histories of race, civic pageantry, and transnational performance. How was childhood redefined in early modern theater and performance cultures, and why did versatile and charismatic child performers hold such magnetic appeal during the period?
📁 View Abstracts (forthcoming)
Seminar
Community and the Scapegoat
📌 Mineral C
LEADERS: Craig Dionne, Eastern Michigan University and Sharon O’Dair, University of Alabama
Shakespeare’s plays are community-building machines often requiring exclusion, a scapegoat. Critical theory argues these resolutions are ideological, weighted with the bias of prejudice. Yet, as skeptical as historical-political criticism has been of these restored communities, are we persuaded that Shakespeare is critical in writing them? Are we persuaded that Shakespeare—or Shakespeareans—can help create and maintain community today, without being exclusionary?
📁 View Abstracts (forthcoming)
Seminar
Comparative Sexualities: Shakespeare and His Contemporaries (Hybrid Session)
📌 Mineral F
LEADER: Goran Stanivukovic, Saint Mary’s University
When compared with the works of some of his contemporaries, sexual discourses in Shakespeare’s writing often appear somewhat restrained. This seminar sets out to compare non-Shakespearean texts to Shakespeare, and to interpret Shakespeare in relation to his Continental contemporaries. The aim of this seminar is to show what new discourses, narratives, rhetoric, and representations of sexuality emerge from this critical engagement with other dramatists and poets.
📁 View Abstracts (forthcoming)
Seminar
Contemporary Pedagogies of Reading Early Modern Literature
📌 Mineral B
LEADERS: Catherine R. Clifford, Hastings College and Jess Hamlet, Alvernia University
This hybrid workshop-seminar welcomes classroom activities or assignments, pedagogical essays informed by theory, and/or reflective essays on success and failures. We welcome materials on class and the study of humanities disciplines; the “value” of reading; common student resistances to Shakespeare; reading early modern literature within the context ofl arger political attacks on higher education and the humanities; comprehension; methodologies; assessment; and making reading practices visible.
📁 View Abstracts (forthcoming)
Seminar
Early Modern Eco-Memory
📌 Granite C
LEADER: Daniel Normandin, Marshall University
This seminar welcomes papers that consider how Shakespeare and other early moderns imagined the links between memory and the environment. How did they read their pasts—whether private or public, personal or historical—in their landscapes and cityscapes? Possible topics include: the environment as mnemonic device (or as a device for forgetting); religious memory during and after the “Reformation of the landscape”; archaeological tropes; the memory of past ecological disruption; and urban ecology.
📁 View Abstracts (forthcoming)
Seminar
Faculty/Student Collaboration in the Undergraduate Shakespeare Classroom
📌 Quartz B
LEADERS: Lucie Alden, Georgetown University and Mardy Philippian, Lewis University
Higher education in the US faces declining trust, shrinking humanities enrollment, and faculty burnout. Rethinking how we teach Shakespeare—especially through faculty-student collaboration—could reengage undergraduates, particularly at non-elite institutions. This seminar explores barriers to such collaboration and considers questions about inclusivity, public value, and the future of Shakespeare Studies in shaping student outcomes and supporting broader academic goals.
📁 View Abstracts (forthcoming)
Seminar
Postcolonial Shakespeares (Hybrid Session)
📌 Mineral D
LEADER: Amrita Dhar, University of California, San Diego
This seminar explores postcolonial Shakespeares—adaptation, community work, pedagogy—from around the world. How do the conditions of post-coloniality (the temporal after of empire) and the critical stance of postcoloniality (the resistance to empire) inform engagements with Shakespeare? How do postcolonials write Shakespeare—in films, plays, novels, lesson plans—and why? How do postcolonial and post-colonial identities get raced, gendered, and abled/disabled in engagements with Shakespeare?
Seminar
Race and Anglo-Iberian Literary Exchanges
📌 Granite A
LEADERS: Zainab Cheema, Florida Gulf Coast University and Victoria M. Muñoz, Adelphi University
While Anglo-Iberian studies has uncovered Shakespeare and his peers’ rich connections to Iberia, the scholarship’s racial stakes remain underexplored. This seminar engages with England’s literary relations with Spain and Portugal via Premodern Critical Race Studies. Papers may address contexts in Europe, the Americas, Asia, Africa, the Middle East through transoceanic networks, religious conflicts, indigeneity, colonial exchanges, enslavement, racial polemics, gender, disability, and ecopoetics.
📁 View Abstracts (forthcoming)
Seminar
Shakespeare and Belonging
📌 Agate A
LEADERS: Sara Morrison, William Jewell College and Deborah Uman, Weber State University
Shakespeare’s plays are invested in the dynamics of interpersonal relationships, offering valuable insights into how individuals find their place within communities. We invite papers that consider how the works of Shakespeare can contribute to recent scholarship on belonging, particularly on college campuses. Papers might address questions of belonging in Shakespeare’s plays, ways to deploy Shakespeare as a vehicle to promote belonging, or the dynamics of performance and belonging.
📁 View Abstracts (forthcoming)
Seminar
Shakespeare and the Forms of Religion
📌 Quartz A
LEADERS: Trina Hyun, University at Buffalo, SUNY and Amanda K. Ruud, Valparaiso University
Our seminar considers intersections of religion, aesthetics, language, and performance by examining varied forms through which religion emerges in Shakespeare’s corpus (rhetorics of prayer, ritual, lament, etc.). Can attention to religious forms provide new entries for understanding early modern relationships between art and religion? We welcome papers that explore religions beyond Christianity or query notions of the secular.
📁 View Abstracts (forthcoming)
Workshop
Strategic Shakespeares
📌 Agate B
LEADERS: Nedda Mehdizadeh, University of California, Los Angeles and Nora J. Williams, BIMM University
This workshop considers our distinct responsibilities as early modernists, not to reify Shakespeare as a savior of the Humanities, but to interrogate existing structures. Through pre- and in-workshop exercises, we invite participants to leverage Shakespeare’s cultural capital strategically against outdated academic paradigms. Can tangible outcomes—innovative lesson plans, peer review guidelines, publications models, and scholarly communities–—help revive our academic and humanistic networks?
11:00 a.m. to 12:30 p.m.
Panel
Lyric Attachments
📌 Centennial F
ORGANIZER: Dianne Mitchell, University of Colorado, Boulder
CHAIR: Adhaar Noor Desai, Bard College
Marissa Nicosia, Pennsylvania State University, Abington College
Recipe/Poem
Yunah Kae, College of Charleston
Pastoral Attachment in Marlowe’s The Jew of Malta
Thomas Ward, United States Naval Academy
Print, Music, Poetry, Patronage
Dianne Mitchell, University of Colorado, Boulder
Letter Surfaces, Queer Attachments
Book Salon
Seeing Through Shakespeare
📌 Centennial G
ORGANIZER Ambereen Dadabhoy, Harvey Mudd College
CHAIR: Ruben Espinosa, Arizona State University
Ambereen Dadabhoy, Harvey Mudd College
Shakespeare through Islamic Worlds
Liz Fox, University of Massachusetts, Amherst and Gina Hausknecht, Coe College
Shakespeare in the Age of Mass Incarceration
Kathryn Vomero Santos, Trinity University
Shakespeare in Tongues
1:00 to 2:00 p.m.
Meeting
Early Modern Community of Care
📌 TBA
ORGANIZERS: Bridget Marie Bartlett, University of Mississippi, Andrew Bozio, Skidmore College, and Dalton Edward Greene, University of Maryland
This is a community and a network of care for early modernists with disabilities, committed to the principles of disability justice. Open to all registrants and their registered guests.
2:00 to 3:00 p.m.
Professionalization
CV Review and Career Mentoring
📌 TBA
David Sterling Brown, Trinity College, Emily Parise, University of California, Irvine, Kathryn Schubert, University of California, Irvine, and Eunwoo Yoo, University of California, Santa Barbara
Are you a graduate student or early career researcher who is interested in having your CV reviewed? The SAA Graduate Committee and Dr. David Sterling Brown are excited to offer CV Review & Career Mentoring sessions. This will be an opportunity for you to receive feedback on your CV from advanced scholars and professionals (CV reviewers) who will be available in person for individual 15-minute meetings. They will assess your CV and offer guidance catered to your specific career goals. If you have any questions, please contact us at saagrads@gmail.com.
2:00 to 4:00 p.m.
Seminar
Essaying Shakespeare (Hybrid Session)
📌 Mineral G
LEADERS: Huw Griffiths, University of Sydney and Jennifer E. Nicholson, University of Sydney
Is it time to re-assess the relationship between Shakespeare studies and the form of the “essay”? Can Shakespeare studies enliven its investment in the “essay” as a productively ephemeral form? Topics could include: Essays as idiosyncratic and ephemeral forms of knowledge production; The form of the essay in the wake of generative AI; Early modern essay writers; The historical emergence of Shakespeare studies through the form of the essay; Contemporary forms of essayistic thinking: from the podcast to the student essay.
📁 View Abstracts (forthcoming)
Open Workshop
Fencing in Shakespeare’s World
📌 Centennial H
Photo of SD in Queen’s Library copy of James Shirley’s The Doubtful Heir, 1652, Wing S3466
Join maestro of historical martial arts, Devon Boorman, and Jade Standing for a practical introduction to the swords and styles of fencing that formed a part of Shakespeare’s world. Participants will learn fundamental moves of the rapier, longsword, and sword and buckler and consider the performative range of those weapons commonly used by early modern fencers and scripted into playhouse drama.
Seminar
The Future of Renaissance (Non-Human) Animal Studies
📌 Quartz A
LEADER: Rebecca Ann Bach, University of Alabama, Birmingham
This seminar invites papers on particular nonhuman animals, metaphorical usages of nonhuman animals, legends about nonhuman animals, human usages of nonhuman animal parts, and any other nonhuman animal references in Shakespeare and his contemporaries. It also invites meta-treatments of Animal Studies: discussions of the field’s dimensions, its problems, its terminology, its future, including continuation of the work begun in the previous seminar on Intersectional Animalities.
📁 View Abstracts (forthcoming)
Seminar
Generation Shakespeare: YA Adaptations
📌 Granite B
LEADERS: Brian Harries, Concordia University, Ann M. Martinez, Kent State University at Stark, and Gaywyn Moore, Santa Clara University
This seminar seeks to examine the popularity of recycling Shakespeare for a YA audience. What insights do these adaptations afford us? How does YA pedagogy deal with Shakespeare’s difficult topics? Does a general collective cultural memory resonate in these reimaginings? How do these works engage younger readers? Seminar participants are welcome to focus on any media and are welcome to consider adaptation theory, YA literary theory, and cultural resonance to aid in our seminar’s discussion
📁 View Abstracts (forthcoming)
Seminar
How to Use King Lear
📌 Quartz B
LEADER: Douglas Lanier, University of New Hampshire
This seminar aims at creating a “User Guide” for King Lear: we invite papers concerned with ways the play has been, can be, and even should be used in productions on stage or on screens, and in classrooms. How can we move away from familiar touchstones of mainstream theatre work in the US and UK towards areas where King Lear functions differently, outside conventional theatre repertories and classrooms and into spaces that enable us to rethink the purposes of engaging with it?
📁 View Abstracts (forthcoming)
Seminar
Manuscript Cultures/Theatrical Cultures
📌 Mineral B
LEADER: Alan Stewart, Columbia University
This seminar aims to explore the many and various ways in which the manuscript cultures of early modern England are implicated in the theatrical cultures of the period, and vice versa. Papers might address play-texts, plats, and parts that survive in manuscript form; manuscript marginalia on printed plays; manuscript archives relating to the theatre; and the representation of manuscript culture (writing and writers, papers and paperwork) on the early modern stage.
📁 View Abstracts (forthcoming)
Seminar
New Directions in Shakespeare and the Bible
📌 Agate A
LEADER: Gabriel Bloomfield, Bates College
Recent work on Shakespeare and the Bible has revealed the vast extent of his debt to scriptural texts and their interpretation in early modernity, but has remained mostly separate from the study of race, gender, sexuality, and ecology in early modern England. By exploring how the Bible’s ever-contentious texts helped to construct these categories in early modern thought, we will seek to enrich the field’s understanding of how writers reproduced and contested biblical constructions of difference.
📁 View Abstracts (forthcoming)
Seminar
Performing Gender and Sexuality in Shakespeare: Theory and Praxis
📌 Granite C
LEADER: Chad Allen Thomas, University of Alabama in Huntsville
This seminar bridges the gap between scholarly analysis and theatrical practice, challenging the divide between historicist and performance methodologies. Focusing on gender and sexuality in Shakespearean productions, we examine how cross-gender casting, gender-fluid performance, queer reinterpretation, and insights from trans studies shape meaning. Bringing together scholars and practitioners, we explore how performance reflects and reshapes cultural understandings, expanding Shakespearean interpretation beyond the text.
📁 View Abstracts (forthcoming)
Seminar
Performing Repetition
📌 Mineral E
LEADERS: Allison K. Deutermann, Baruch College, CUNY and Lauren Robertson, Columbia University
Repetition has been called “a God term” in performance studies. If repetition is key to the making of dramatic meaning, it has signal importance to early modern drama, which developed alongside a poetics that prized poesis and within a theatrical culture of recycling and reuse. We ask, what is it that repetition makes? We welcome papers taking up repetitionat various scales—from the word or line to formal conventions or the meme-like circulation of devices, props, and characters.
📁 View Abstracts (forthcoming)
Seminar
Preternatural Shakespeare
📌 Mineral C
LEADERS: Mary Floyd-Wilson, University of North Carolina, Chapel Hill, Phebe Jensen, Utah State University, and Katherine Walker, University of Nevada, Las Vegas
This seminar invites papers on early modern English drama’s staging of the preternatural. As a liminal category between the natural and the supernatural, how might the concept of preternature inform transformations in humans, plants, animals, or minerals? Papers might consider the hidden but material effects of planets, stars, contagion, spirits, or the environment, as they manifest in the bodies and emotions of characters, actors, and spectators in the early modern theater.
📁 View Abstracts (forthcoming)
Seminar
Rethinking Original Practices (Hybrid Session)
📌 Mineral F
LEADERS: Benjamin Blyth, University of Calgary and Ollie Jones, University of York
Original Practices (OP) emerged in the 1990s as an experiment to “discover and recreate Shakespeare’s company’s working practices” (Shakespeare’s Globe). But what constitutes “original” performance? How has this changed over time? And is it possible to uncouple the desire to “discover and recreate” from social, cultural, and psychological structures of colonial power? This seminar reflects on thirty years of OP and asks what role, if any, it might play in future Shakespeare practice and research.
📁 View Abstracts (forthcoming)
Workshop
Shakespeare and Community-Based Practice
📌 Granite A
LEADERS: Jennifer Feather, University of North Carolina, Greensboro and Lauren Shook, University of North Carolina, Greensboro
This workshop invites participants, at all levels of career and experience, to imagine a range of community-engaged projects that the study of Shakespeare and the early modern affords. How can scholars create mutually beneficial relationships with communities outside of the academy? Participants will share ideas for community-engaged projects and co-create a community of practice whereby workshop members can find mutual support for ongoing projects.
Seminar
Silence on Stage
📌 Agate B
LEADER: Maggie Vinter, Case Western Reserve University
What effects does silence produce in the early modern theater? Papers might consider silence as a dramatic effect in relation to silent characters, dumb shows or extras in historical or contemporary performance; silence as a cultural phenomenon in relation to religious practice, noise and music, political expression and its suppression, and categories of social identity; and/or silence as a reflection of what cannot be said or expressed, the absent, or that which is withheld.
📁 View Abstracts (forthcoming)
Seminar
Variorum Shakespeare
📌 Mineral A
LEADERS: Robert Stagg, Texas A&M University and Dorothy Todd, Texas A&M University
The New Variorum Shakespeare, which began its life in print in the 1870s, is now available in digital form: see https://newvariorumshakespeare.org. Attempts to produce variorum editions of Shakespeare stretch back even further, to the eighteenth century. This seminar invites papers that engage with the NVS and/or the history and method of the variorum and/or digital editing of Shakespeare.
📁 View Abstracts (forthcoming)
4:30 to 6:00 p.m.
Panel
Beyond New Materialism: Political Ecology and Early Modern Drama
📌 Centennial F
ORGANIZER: Daniel J. Vitkus, University of California, San Diego
CHAIR: Katherine Steele Brokaw, University of Texas, Austin
RESPONDENT: Ashley Sarpong , California State University, Stanislaus
Daniel J. Vitkus, University of California, San Diego
Accommodating Humanity: King Lear, Eco-Crisis, and Dialectical Materialism
Derrick Higginbotham, University of Hawai‘i at Mānoa
A Little Desire: Gender, Sexuality, and Political Ecology in Rowley’s A New Wonder, A Woman Never Vext
Natalie Suzelis, Antioch College
Political Ecology, Primitive Accumulation, and The Witch of Edmonton
Panel
Imaginary Shakespeares: Creative and Scholarly
📌 Centennial G
ORGANIZER: Scott Maisano, University of Massachusetts, Boston
CHAIR: Wendy Beth Hyman, Oberlin College
Michelle Ephraim, Worcester Polytechnic Institute
“Let’s Pretend” with Lady Macbeth
Scott Maisano, University of Massachusetts, Boston
In a Berowne Study, or, Can Academe Daydream?
Rachel Eisendrath, Barnard College, Columbia University
The non sequitur as a Form of Thought
6:30 to 8:00 p.m.
Annual Reception
📌 Centennial E
Hors d-oeuvres and cash bar.
Open to all registrants for the Fifty-Four Annual Meeting and their guests. Each guest must have an SAA name tag in order to attend; guest tags may be requested and purchased on the conference registration form.
3 April ➤
7:30 to 8:30 a.m.
Yoga
Shakespeare Yoga
📌 Agate C
Kathryn Moncrief, RYT-200, WorcesterPolytechnic Institute
Open to all registrants for the Fifty-Fourth Annual Meeting and registered guests.
8:00 to 9:00 a.m.
Breakfast
Graduate Student Breakfast
📌 Centennial E
Hosted by the Trustees of the Association.
8:00 a.m. to 6:00 p.m.
Registration
📌 Centennial Foyer
Book Exhibits
📌 Centennial A-C
9:00 to 10:30 a.m.
Shakespeare Futures Panel
Contingency: The State of Our Field
📌 Centennial G
ORGANIZER: Benjamin VanWagoner, Columbia University
CHAIR: Sharon O’Dair, University of Alabama
Benjamin VanWagoner, New York, NY
Salvage Poetics: Precarious Life, Parlous Work
Loren Cressler, University of Texas, Austin
No Mean Dependence: Reframing Contingency in Academic Employment
Jean E. Howard, Columbia University
Activism Within and Against Contingency
Danielle Rosvally, University at Buffalo, SUNY
The Longest Mile: Contingency’s Human Impacts and What We Can Do about Them
Panel
The Early Modern Antiquarian Analytic: Words, Print, Plays
📌 Centennial F
ORGANIZER: Miriam E. Jacobson, University of Georgia
CHAIR: Alan Stewart, Columbia University
Miriam E. Jacobson, University of Georgia
Feeling History: Early Modern Antiquarianism as Reenactment in Poly-Olbion and Antony and Cleopatra
Megan Cook, Colby College
“What Mine Authors Say”: Antiquarian Authority in <i>Troilus and Cressida</i> and Pericles
András Kiséry, City College of New York, CUNY
“Preasarve within paper walles what the stronge rocke cannot keepe”: Poems and Monuments
10:30 to 11:00 a.m.
Coffee Break
📌 Centennial Foyer
SAA Book Celebration
📌 Centennial Foyer
Please join us for a Book Celebration, hosted by Kathryn Vomero Santos. This year we are opening this coming April’s Celebration to any books published in the last two years. Those wishing to feature their books in Denver should fill out this Google form to provide information and facilitate communication in advance of the conference. We encourage you to bring a copy of your book as well as any promotional flyers and materials you may have.
11:00 a.m. to 1:00 p.m.
Workshop
Air & Breath in Macbeth: A Scholar-Practitioner Convergence
📌 Granite B
LEADERS: Theo Black, Cornell University, Christopher Marino, University of North Carolina, Wilmington, and Stephanie Shirilan, Syracuse University
This interactive session on Macbeth investigates the shared air/breath of theatrical embodiment, lensing: air’s mercurial materiality, early modern conceits of pneumatics, actor-training work, language as air-borne agents, and ecological reverberations. This workshop offers participants a guided opportunity to connect accessibly and dynamically with Shakespeare’s text to investigate atmospheric studies of air/breath, exploring ways text re-materializes when “envoiced” from page to stage.
📁 View Abstracts (forthcoming)
Seminar
Audio Shakespeare Around the World: Radio, Recordings, Internet
📌 Agate A
LEADER: Michael P. Jensen, Shakespeare Newsletter
Global audio Shakespeare is the most neglected area of Shakespeare performance studies. This seminar is open to all radio, recorded, and internet audio performances. Papers may include any country and language, studies of specific audio performances, audio series, or performances by themes such as navigating race, gender, period, culture, and other issues that inform audio performances. The field is wide open. Let’s fill it.
📁 View Abstracts (forthcoming)
Seminar
Creative-Critical Engagements with the Renaissance
📌 Mineral A
LEADERS: Kate Bolton Bonnici, Pepperdine University and Colleen Ruth Rosenfeld, Pomona College
This seminar considers practices that blur the boundaries between research and art, practices that affirm creative writing as a valid mode of scholarly inquiry. How might we—as critics—write about early modern literatures using methods that are themselves literary? That is, how might we write critically about the Renaissance without being limited by the (current) scholarly essay or article form? In this seminar, we will explore critical-creative engagements with the subjects of early modernity, occupying the hyphenated, expansive, and varied spaces of scholar-artists.
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Seminar
The Many Lives of The Shrew
📌 Quartz A
LEADERS: James J. Marino, Cleveland State University and Elizabeth E. Tavares, University of Alabama
Shakespeare’s The Taming of the Shrew has always been entangled with other versions of its narrative. In many ways, the history of The Shrew is the history of its intertexts. This seminar invites papers on The Taming of the Shrew and its many forerunners, sequels, adaptations, and spinoffs. A range of approaches are welcome, from critical theoretical vantages of trans, gender, and sexuality studies, to affect, translation, and media theory or book, theatre, performance, and film history.
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Seminar
On Glossing
📌 Mineral E
LEADER: Stephen Spiess, Babson College
What is a textual gloss? What does/should it do? This seminar invites papers “on glossing” from a range of perspectives: editorial, political, historical, theatrical, pedagogical. Participants might anatomize a specific textual gloss; examine the histories, politics, or ethics of glossing (gender, sexuality, race, etc.); assess how digital technologies inform contemporary glossing practices; consider instances of glossing in early modern texts; explore how glosses get used by theater practitioners; and/or introduce strategies for teaching with glosses.
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Seminar
Play On: Shakespeare and Video Games
📌 Mineral D
LEADERS: Lowell Duckert, University of Delaware and Christine Hoffmann, West Virginia University
The RSC just announced its first video game, Lili. Reflecting upon a decades-long history of Shakespeare in/as video games, this seminar asks: what does the study of early modernity bring to the discourse of video game studies, and what does the discourse of video game studies bring to the study of early modernity? What can/should this intersectional work look like? We welcome players interested in pedagogy; adaptation, appropriation, and translation; interactivity, reception, and spectatorship.
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Seminar
The Poetics of the Page
📌 Mineral C
LEADER: Jessica C. Beckman, Dartmouth College
When does early modern poetics encompass the material text? How can we theorize the relationship between early modern literary experimentation and its material forms? Submissions to this seminar might include essays on poetics and rhetoric, poetry or drama, the history of the book and reading, material culture, aesthetic theory, theories of gender, race, and sexuality, ecocriticism, textual editing, digital editions, and writers beyond Shakespeare.
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Seminar
Power Dressing
📌 Granite C
LEADER: Katharine E. Landers, Illinois State University
This seminar explores the early modern nexus of dress, politics, and women’s writing. Why and how do women writers turn to dress and material identity-making to do political work in the sixteenth and seventeenth centuries? How does gender inform the challenges and possibilities offered by dress? Papers might consider varied forms of “dressing” or explore how the politics of dress intersects with identity-formation in women’s writing via gender, sexuality, race, religion, and more.
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Seminar
REED at 50: Prospects and Retrospects
📌 Mineral B
LEADERS: Peter Greenfield, University of Puget Sound and Alan H. Nelson, University of California, Berkeley
In 1976 Records of Early English Drama (REED), of the University of Toronto, received its first funding from the Canada Council. Since 1979 REED has published a total of 27 collections in 36 print volumes, and 7 collections in “born-digital” format. Papers are invited which emulate, reflect upon, profit from, or supplement REED publications. Any research in “Theater History” will be welcome, but authors will be invited to connect their arguments at some point to the REED enterprise.
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Seminar
Representation, Politics, and Performance
📌 Mineral G
LEADER: Andrew S. Brown, Dalhousie University
How did the early modern development of representative ideas and institutions transform the English stage—and vice versa? This seminar invites papers on theatrical representation and political representation, with each of these representative forms inviting a range of approaches and definitions. Potential areas of focus include sovereignty; mimesis; individual and collective personhood; domestic and international law; and constructions of race, gender, national identity, and/or social status.
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Seminar
Rethinking City Comedy
📌 Granite A
LEADERS: Bernadette Myers, Washington University in St. Louis and Robert O. Yates, Wagner College
This seminar invites papers exploring the flexible genre of city comedy. What forms of knowledge does the genre produce or obscure? We welcome papers on plays exemplifying the genre’s conventions and those that innovate it. Topics may include understudied character types, unexplored settings, spatial theories beyond De Certeau and Lefebvre, affect, time, historical precedents, nondramatic intertexts, contemporary adaptations, or implications for historiographies of bodies and environments.
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Seminar
Shakespeare, AI, and Virtuality
📌 Mineral F
LEADER: Alexa Alice Joubin, George Washington University
How do Shakespearean “worlds” and soliloquies help us understand generative AI’s realms of virtuality and performativity? Techné governs all synchronous and asynchronous communication. Papers may examine pedagogy, AI’s hallucination, and Shakespeare’s depictions of dreams and neurodiversity; compare the anthropomorphizing of AI to animal symbolism in Shakespeare; or take up other corollaries using ecocritical, trans/queer/feminist, posthumanist, postcolonial, and/or critical race theories.
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Seminar
Whiteness and the Comic
📌 Quartz B
LEADER: Sarah Gray Lesley, University of Chicago
What is the relationship between comedy and whiteness in early modern literature? This seminar unpacks how comedy, as a genre and as a mode, colludes with white worldmaking. While Midsummer Night’s Dream and Comedy of Errors have been central to premodern critical race studies, many comic texts and moments remain to be considered. This seminar seeks papers that probe this critical gap, exploring how Shakespearean and non-Shakespearean texts mobilize the comic to develop fictions of whiteness.
📁 View Abstracts (forthcoming)
1:30 to 3:00 p.m.
Annual Luncheon
📌 Centennial D-E
Open to all registrants for the Fifty-Fourth Annual Meeting. Additional guest tickets may be purchased in advance. Member tickets are included in registration envelopes (but may not be available to onsite registrants).
3:30 to 5:00 p.m.
Plenary Panel
Plenary Panel: Editing Race, Sex, and Othello
📌 Centennial F-G
ORGANIZER: Dennis A. Britton, University of British Columbia
CHAIR: Ian Smith, University of Southern California
Dennis A. Britton, University of British Columbia
What’s a Moor, Again?: Race, Nomenclature, and Othello‘s Early Commentors
Patricia Akhimie, Folger Shakespeare Library
Extra-Illustrating Othello
Abdulhamit Arvas, University of Pennsylvania
Walking Barefoot from Venice to Palestine: Rerouting Othello
5:15 to 6:30 p.m.
Reception
Scholars of Color Social
📌 Centennial E
Co-sponsored by the Folger Shakespeare Library
Cash bar and light hors d-oevres.
Open to all registrants and their guests.
6:30 to 8:00 p.m.
Performance
BIOphelia
📌 Centennial H
Theo Black, Cornell University
Amanda Vialva
What if Ophelia’s herbs and flowers were given a central place on stage, to share a worldview of regeneration and renewal? What if Ophelia’s seeded potential were to be cultivated, enhanced, and empowered in our shared era of ecological crisis? In this performance, actor Amanda Vialva revives Ophelia’s journey, to evolve Shakespeare’s story beyond the binary of Hamlet’s existential question (you know the one) and look at how we may adapt as part of nature, and better learn to inter-be…
4 April ➤
7:30 to 8:30 a.m.
Yoga
Shakespeare Yoga
📌 Agate C
Anna Riehl Bertolet, RYT-200, Auburn University
Open to all registrants for the Fifty-Fourth Annual Meeting and registered guests.
8:00 a.m. to 12:00 noon
Information
📌 Centennial Foyer
Book Exhibits
📌 Centennial A-C
9:00 to 10:30 a.m.
Panel
Makers, Making and the Made in Early Modern Theatrical Culture and Its Reproductions
📌 Centennial F
ORGANIZER: Bridget Mary Escolme, Queen Mary University of London
CHAIR: Drew Daniel, Johns Hopkins University
Bridget Mary Escolme, Queen Mary University of London
Re-making the Made: Craft, Value and Nostalgias in Shakespeare Re-production
Natasha Korda, Wesleyan University
“Peculiar Extensions”: Footwork, Footwear, and the Footprint of Early Modern Performance
James Loxley, University of Edinburgh
The Phenomenology of Labour and the Early Modern Stage
Panel
Mapping Spatial Habits in Early Modernity
📌 Centennial G
ORGANIZER: Gavin Hollis, Hunter College, CUNY
CHAIR: Laura E. Kolb, Baruch College, CUNY
Gavin Hollis, Hunter College, CUNY
Mappery, or The Joy of Maps
Laura Williamson, St. Mary’s College, Notre Dame
Mobility, Measurement, and The English Travel Guide
Seth Stewart Williams, Barnard College, Columbia University
Choreography as Chorography: Dancing Maps on Stage and Street
10:00 a.m. to 12:00 noon
Digital Exhibit
Early Modern England Encyclopedia
📌 Centennial Foyer
EXHIBITOR: Kate McPherson, Utah Valley University
The Early Modern England Encyclopedia (EMEE) offers a full revision and broadening of content, navigation, and sources inspired by Shakespeare’s Life and Times. With sections on Theater, History, and Culture, EMEE offers a free resource for students, faculty, and the public. Each updated article offers a high-quality image and vetted print and online sources.
🔗 Project Website (forthcoming)
Digital Exhibit
Open-Access AI & Textbook: Screening Shakespeare
📌 Centennial Foyer
EXHIBITOR: Alexa Alice Joubin, George Washington University
Screening Shakespeare is a Gold Open Access, Quality Matters certified, media-rich textbook with a resident multilingual AI that draws answers only from the textbook and offers responses that are adapted to the users’ levels. It covers key concepts such as mise-en-scène, cinematography, sound and music, and film theory within the context of Shakespeare studies. No login required. Watch the demo video to learn more.
▶️ Demo Video
Digital Exhibit
Points Like A Man: The Shakespearean Breeches Performance Catalogue, 1660-1900
📌 Centennial Foyer
EXHIBITOR: Alexandra E. LaGrand, Texas A&M University
Points Like A Man curates records of genderfluid Shakespearean breeches performances by actresses from 1660 to 1900 to demonstrate the immense frequency wherein these performances took place and to consider how they helped shape Shakespeare’s theatrical afterlives. Database features include performance records, an interactive theatre map, and a searchable Actress Index.
Digital Exhibit
Shakespeare’s Theaterscape
📌 Centennial Foyer
Shakespeare’s Theaterscape (NEH-Purdue University funded, 3 years, $250,000) introduces an innovative new scholarly website featuring spatially accurate and topographically detailed ArcGIS models of four London playhouse districts, as well as searchable, relational databases of places, people, and events, freshly edited theatre-related archival records, and new interpretive commentary.
Digital Exhibit
We’ll Hear a Play: Early Modern Performances Online
📌 Centennial Foyer
EXHIBITOR: Miranda Hannasch, University of Nevada, Las Vegas
We live in a golden age for digital theatre, but the high price of subscription services can render many options impractical for student use. We’ll Hear a Play seeks to broaden the accessibility of digital theatre by providing a searchable database of free online performances of early modern plays. Users can search by title, author, or original performance date.
10:30 to 11:00 a.m.
Coffee Break
📌 Centennial Foyer
11:00 a.m. to 12:30 p.m.
Plenary Panel
NextGenPlen
📌 Centennial F-G
ORGANIZERS: Members of the NextGenPlen Committee
CHAIR: Wendy Beth Hyman, Oberlin College
Chelsea Lee, University of California, Irvine
Effigy Executions, Displaced Violence, and the Early Modern Stage
Anouska Lester, University of York
“No positive proof whatever”: The Authenticity of “Shakespeare’s” Seal Ring
Matthew Walsh, University of Massachusetts, Amherst
Broken Vows and Faithless Domesticates: Relitigating the Onstage Cat in William Sampson’s The Vow Breaker (1636)
1:00 to 2:00 p.m.
Professionalization
CV Review and Career Mentoring
📌 TBA
David Sterling Brown, Trinity College, Emily Parise, University of California, Irvine, Kathryn Schubert, University of California, Irvine, and Eunwoo Yoo, University of California, Santa Barbara
Are you a graduate student or early career researcher who is interested in having your CV reviewed? The SAA Graduate Committee and Dr. David Sterling Brown are excited to offer CV Review & Career Mentoring sessions. This will be an opportunity for you to receive feedback on your CV from advanced scholars and professionals (CV reviewers) who will be available in person for individual 15-minute meetings. They will assess your CV and offer guidance catered to your specific career goals. If you have any questions, please contact us at saagrads@gmail.com.
Meeting
The Guild of Queer Early Modernists Meeting
📌 TBA
Join GQEM for our second annual meeting as we come together to build a community for queer early modernists and our allies. Open to all registrants and their registered guests.
2:30 to 4:00 p.m.
Panel
Shakespeare and Neurodiversity
📌 Centennial F
ORGANIZERS: Sheila T. Cavanagh, Emory University and Bradley J. Irish, Arizona State University
CHAIR: Sheila T. Cavanagh, Emory University
Bradley J. Irish, Arizona State University
Thinking, Feeling, Sensing: Shakespearean Minds and Neurodiversity
Sonya Freeman Loftis, Morehouse College
Allistic Shakespeare
Deyasini Dasgupta, Washington State University
“Keep me in temper”: Sensory Capacity, Normative Nationality, and Racialized Gender
Panel
Theatre History in Dialogue
📌 Centennial G
ORGANIZERS: Clare McManus, Northumbria University and Lucy Munro, King’s College London
CHAIR: Clare McManus, Northumbria University
Misha Teramura, University of Toronto
Ink, Paper, Glue, Pins: Manuscript Playbooks as Theatrical Objects
Jonathan Powell, University of Edinburgh
Coverture, Sara Allen, and the Theatre in Shoreditch: A (Theatre) History of Alienation
Elisa Oh, Howard University
Choreographies of Bad Service: Resistant Wives and Servants in The Taming of the Shrew
Lucy Holehouse, Royal Holloway, University of London
Anatomised Gender: Cis-Centricity in the King’s Men’s Repertory
David McInnis, University of Melbourne
Lost Repertorial Contexts: Theatre History and Textual Editing
4:30 to 6:30 p.m.
Seminar
Ethical Plurality on the Early Modern Stage
📌 Quartz A
LEADERS: Christopher Crosbie, North Carolina State University and Anita Gilman Sherman, American University
This seminar considers how the early modern stage made use of, mediated between, and reconceptualized different, even rival, ethical and religious traditions. How did multiple ways of knowing or believing find expression in the theater and to what end? What methodologies help us trace variant lineages of thought shaping early modern plays? How did playwrights negotiate the erudite and vernacular, parochial and syncretic, or partisan and ecumenical in their representations of ethical reasoning?
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Seminar
Labor and Early Modern Literature
📌 Granite C
LEADERS: Megan Heffernan, DePaul University and Julia Schleck, Colorado State University
This seminar invites papers that explore the relationship between literary and non-literary labor historically and/or today. Papers can focus on the material history of literary production, whether on the stage or in the printing house, or the depiction of such relationships within literary works. We welcome papers that draw early modern labor into productive dialogue with contemporary labor conditions within and beyond the academy.
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Seminar
New World Theatricality
📌 Agate B
LEADERS: Andrew Bozio, Skidmore College and Caro Pirri, University of Pittsburgh
This seminar explores the formal imprint of conquest on early modern theatricality. How does theatricality, not simply as a medium but as a mode, give us new interpretive rubrics for reading the histories and legacies of conquest history? Papers might explore this question not simply in Shakespeare’s dramas or on the English stage, but across the early modern media landscape—from entertainments, masques, and emblems to representations of Indigenous performance and ritual.
📁 View Abstracts (forthcoming)
Seminar
Overwhelmed
📌 Mineral D
LEADERS: Gerard Passannante, University of Maryland, College Park and Susanne L. Wofford, New York University
How does Shakespeare dramatize—in different genres, in plays or lyric poetry—being overwhelmed by nature, by politics, by disaster or by thoughts—floods, fires, shipwrecks, wars, all overwhelm, but so do obsessions, fears, or passions. We will look at political and ecological overwhelm and at the boundary between external and psychic experience. We will ask if and when these experiences illuminate the ties for the characters, players or audience between the self and the political order.
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Seminar
Shakespeare and Nonsense
📌 Granite B
LEADER: Adam Zucker, University of Massachusetts, Amherst
The experience of Shakespeare’s plays and poetry on the page and in performance often occurs at the very edges of sensible meaning. This may be an intentional aspect of scripted language, an effect of manuscript transmission, or a simple result of the passage of time as language and reference become increasingly obscure to students and audiences; sometimes, however, it is the result of systemically blocked access to language for certain characters, critics, or readers. This seminar provides a forum to consider the many facets and outcomes of Shakespearean nonsense in critical, pedagogical, historical, textual, and theatrical contexts, both as it appears in plays and poems, and as it has emerged in relation to them over time.
📁 View Abstracts (forthcoming)
Seminar
Shakespeare’s Sentences
📌 Mineral G
LEADERS: Shankar Raman, Massachusetts Institute of Technology and Travis D. Williams, University of Rhode Island
This seminar seeks contributions that explore Shakespeare and other early modern writers at the level of the sentence, including concepts of definition, structure, prose style, relation to poetic form, prescriptive and descriptive grammars, the period, sententiae, and the commonplace. We especially welcome experimental, exploratory, and emergent work, hoping to emphasize collaborative development of ideas and methods.
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Seminar
The Sonic Laboratory of the Renaissance Theater
📌 Agate A
LEADERS: Sarah F. Williams, University of South Carolina and Jennifer Linhart Wood, George Mason University
This seminar will explore auditory experiments staged in the sonic laboratory of the early modern theater: noisy audiences, music, sound effects, and even entire soundscapes. Questions for discussion include: What physical effects do theatrical sounds create in listening bodies? What were audiences guided to hear? What did it sound like when things went wrong? How are sounds marshalled in performance(s) of gender, racial, and cultural otherness, and/or other and intersectional forms of identity?
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Seminar
Speaking the Speech
📌 Quartz B
LEADER: Matthew Hunter, Texas Tech University
While Shakespeare’s dramatic language has long been an object of scholarly interest, its status as speech has tended to receive less attention. This is a seminar about the performance, the value, and the ethics of speech in Shakespeare’s plays. It invites scholars from a wide range of intellectual affiliations—from performance history and theory, to poetics and aesthetics, to histories of the book, to disability studies, to ordinary language philosophy and sociological and anthropological frameworks—to think anew about what it means to speak in Shakespeare’s plays.
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Workshop
Teaching Early Modern Gender, Sexuality, and Care of the Body
📌 Mineral A
LEADERS: Karen Sawyer Marsalek, St. Olaf College and Nancy L. Simpson-Younger, St. Olaf College
Participants will workshop lesson plans and assignments that cover early modern perspectives on care of the body, gender, and sexuality. Using a set of shared primary texts, including Thomas Cogan’s Haven of Health and recipe collections, we will co-create a range of course modules that integrate early modern literature and therapeutic discourse. We will discuss how to customize these materials for courses at different levels and with different disciplinary focuses.
Seminar
Theatrical and Environmental Encounters
📌 Granite A
LEADERS: Gretchen Minton, Montana State University and Chloe K. Preedy, University of Exeter
Skyscapes, landscapes, flora, birds, and insects can unexpectedly intersect with and participate in theatrical performances. Productions might also involve nonhuman animal performers, use water or fire effects, or feature natural materials and items (e.g. flowers). We invite papers that consider the ecological significance of scripted or unscripted encounters between the more-than-human environment and the plays of Shakespeare and his contemporaries in early modern or modern theatrical contexts.
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Seminar
Unearthing
📌 Mineral C
LEADERS: Kristen Abbott Bennett, Framingham State University and Emily Rowe, Queen Mary University London
This seminar explores early modern literature’s engagement with subterranean ecosystems. How do writers imagine unearthing, extraction, and decay in ways that speak to ecological, economic, and socio-political concerns? How do literary texts unearth the entanglements of material wealth and environmental consequence? Our conversations aim to examine imaginative possibilities that materials, objects, plants, and creatures beneath the surface of the earth elicit.
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Seminar
White Sophistry and Epistemicide in Shakespeare Then and Now
📌 Mineral B
LEADERS: Nora Galland, University of Bretagne Occidentale and Katherine Gillen, Texas A&M University, San Antonio
This seminar explores connections among rhetorical, epistemic, and material white violence in Shakespeare. If racial difference is a social construct, it is also a product of white sophistry designed to reinforce whiteness at the expense of other racialized groups. We invite papers on the ways in which the less tangible aspects of whiteness interact with the material violence of racism and genocide. How does Shakespeare foster, reinforce, or disrupt white ways of knowing, speaking, and seeing?
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Seminar
“A Whole Theater of Others”: Presenting and Representing the Playgoers in Shakespeare’s Playhouses
📌 Mineral F
LEADERS: Amy Rodgers, Mount Holyoke College and William N. West, Northwestern University
Shakespeare’s plays were present to playgoers in ways that we rarely encounter, and they thickly re-present experiences associated with playgoing. We invite papers on early modern playgoers’ experiences—how they understood themselves, why they went to plays and what they got out of them. We welcome accounts of early performances, experiments with original practices, speculations about perspectives that elude reconstruction—anything that asks “How is it possible then to think of the audience?”
📁 View Abstracts (forthcoming)
6:30 to 8:30 p.m.
Cash Bar
ACMRS Cash Bar
📌 Centennial Foyer
Sponsored by ACMRS
Celebrating authors and contributors to new ACMRS titles. All members are welcome.
7:00 to 10:00 p.m.
Film Screening
The Tempest
📌 Centennial F
Q&A with director Garrett Replogle led by Melissa Croteau to follow screening.
“Garrett Replogle’s The Tempest is in his own words ‘a love letter to Shakespeare himself, the Mojave desert, and Sci-Fi, certainly unlike any Shakespeare adaptation you have seen before.’ Star Trek meets Shakespeare and a spaceship captain is marooned on a desert planet with his daughter, with Ariel, a multi-capable android ‘assistant’ and with a resentful snake-skinned spawn of a witch, Caliban.” (Ren Zelen, review for Horror DNA, July 2025)
10:00 p.m. to 1:00 a.m.
Dance
The Malone Society Dance
📌 Centennial E
The dance is free to all registrants and their guests thanks to the generosity of the Malone Society.
The Malone Society invites all registrants of #Shax2026 to join the dance and join its ranks: malonesociety.com. The Malone Society publishes editions of early printed and manuscript texts of plays, plus collections of documentary material relating to the performance and reception of early drama.
Practicum
Articles in Progress
LEADERS: Hillary Eklund Grinnell College and Rebecca Totaro Florida Gulf Coast University
The practicum supports first time authors preparing their articles for submission to academic journals. Authors will submit an abstract and brief biography and be paired with a senior scholar with editorial expertise who will read a draft of the article and offer feedback at an informal meeting during the conference.
Virtual Seminar
From Commonplaces to Databases: The Social Memory of Proverbs
LEADER: Laura Estill, St. Francis Xavier University
Proverbs offer fertile ways of thinking about questions of shared history and cross-cultural understanding; the relationship between classical and popular culture; rhetoric and pedagogy; authorship, style, and creativity; and adaptation, appropriation, and afterlives. We welcome papers that consider proverbs, sayings, and/or commonplaces in works by Shakespeare and his contemporaries, their nature and transmission, and how to undertake effective research on early modern proverbs today.
Virtual Workshop
Rescuing Romance
LEADERS: Katharine A. Craik, Oxford Brookes University and Ewan Fernie, Shakespeare Institute, University of Birmingham
This workshop ventures into the spaces between critical and creative practice. We will reflect on the established warrants for literary criticism, and when we should question their authority. We propose it is the limits of what Shakespeare himself could write, as much as his achievements, which propel a leap into full imaginative responsibility. Creative dialogue with the action and poetry of Shakespeare’s romances, through “story criticism,” uncovers coherent, significant and playable new stories, allowing characters to find new life in worlds outside those they were born into.
Virtual Seminar
Shakespeare and Elite Culture: Performing Whiteness Beyond the Anglophone
LEADERS: Anandi Rao, SOAS, University of London and Francesca Clare Rayner, Universidade do Minho, Portugal
This session takes its cue from the volume, White People in Shakespeare, edited by Arthur Little Jr. While the volume focused primarily on the UK, US and the Anglophone academy, this seminar seeks to move the conversation forward by thinking about Shakespeare, whiteness, and elite culture beyond the Anglophone. We invite participants to think with translations, adaptations and other ways that Shakespeare has circulated globally. We also invite participants to think about questions of pedagogy when teaching, reading, editing, watching Shakespeare in a non-Anglophone context.
The Malone Society publishes editions of early printed and manuscript texts of plays, plus collections of documentary material relating to the performance and reception of early drama. In addition to the annual volumes distributed to members, we support scholarship through fellowships and research grants, prizes, symposia and a range of bibliographically inspired t-shirts. To join the society, please go to our website: malonesociety.com.
